I've been a Nick Cave fan since the early '80s when he was part of The Birthday Party thing singing Australian self-destructive rock band and I've always followed his work and loved it.

The privilege of a middle-class, stable, bourgeois life is that you can pretend that you are not complicated and project yourself as a solid, uncomplicated person, with refined life goals and achievements.

The trouble with calling a book a novel, well, it's not like I'm writing the same book all the time, but there is a continuity of my interests, so when I start writing a book, if I call it 'a novel,' it separates it from other books.

When I came to America, I was already a writer, already published in Bosnia. I was planning to go back, but I had no choice but to stay here after the civil war, so I enrolled at Northwestern in a master's program and studied American literature.

When we're upset, our vocal cords tighten and we can't speak. And when I lie - well, I can't lie, because the same thing happens - everyone who knows me knows that when I start squeaking, I've started lying.

You are always working on your worst book and your best book at the same time. The praise does not make you write better, and it shouldn't make you write worse, either.

I have two homes, like someone who leaves their hometown and/or parents and then establishes a life elsewhere. They might say that they're going home when they return to see old friends or parents, but then they go home as well when they go to where they live now. Sarajevo is home, Chicago is home.

I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.

I cannot live or write without music. It stimulates the normally dormant parts of my brain that come in handy when constructing fiction.

I like to blur the line between fact and fiction, but not to condescend to the reader by enmeshing her/him into some sort of a postmodern coop.

I long for, not a writer's retreat - I can write in any situation - but a reader's retreat.

I resist when someone calls me a novelist: it implies some kind of inherent superiority of the novel. I'm not a novelist, I'm a writer.

I tend to wait for true stories to mature into fiction. Most of my fiction grew out of a long-germinating real-life situation.

I'll take any life in which I can make choices and have agency, and America is not a bad place for all that.

In Bosnian, there's no distinction in literature between fiction and nonfiction; there's no word describing that.

Memory narrativises itself.

New York is the Hollywood of the publishing industry, complete with stars, starlets, suicidal publishers/producers, intrigues, and a lot of money.

Our daughter was born in Chicago, and she's already showing it. The temperature has to be approaching zero for her to wear a hat.

To me there's no difference between a book of stories and a novel - they're just slightly different shapes.

When I found myself in the U.S., and the war was at full swing in Bosnia, I read for survival - it was a means of thought resuscitation.