With a painter or a sculptor, one cannot begin to alter his works, but an architect has to put up with anything, because he makes utility objects - the building is there to be used, and times change.

I have no philosophy, my favourite thing is sitting in the studio.

If a building becomes architecture, then it is art.

Now, the downside to conservation is that so much is done for the public, which almost always mars the environment that one wanted to conserve.

Carrying out the thing, getting it to the point when one might say: There, now it is good - that point is hard to reach. Often, one sets very high goals for oneself. Perhaps too high.

Architecture tends to consume everything else, it has become one's entire life.

That is the artistic task: To choose the best from these solutions.

But inspiration? - That's when you come home from abroad and are asked: Well, have you found inspiration? - and fortunately you haven't. But the impressions sink in, of course, and may emerge later: None of us has invented the house; that was done many thousands of years ago.

That business of relaxation, which is so terribly modern today, is all good and well, but my work interests me so much, and is so varied, that many times it seems relaxing when I go from one aspect to another.

You will soon find that I am a bit obsessive about my work. And that is a little sad, one often feels strangely restricted, not finding time to simmer, although one actually has many interests.

Almost every time I make a building, some people will condemn it straight to Hell.

I don't see that any buildings should be excluded from the term architecture, as long as they are done properly.

People buy a chair, and they don't really care who designed it.

The primary factor is proportions.

There is always a point when one senses one's lack of skill, the doubt.

And when an architect has designed a house with large windows, which is a necessity today in order to pull the daylight into these very deep houses, then curtains come to play a big role in architecture.

Besides, I think that when one has been through a boarding school, especially then, you have some resistance, because it was both fine comradeship and a fairly hard training.

Furniture manufacturing in plastics requires very costly machinery, which the Danish market is not big enough to justify. Or so they say. But show me a plastics manufacturer who dares to take on the experiment.

I am going to be working on bathroom fittings for a company in the USA, and then I thought it was appropriate to simplify the fittings and, thus, lowering the cost.

I do not feel certain until I have confronted my initial solution with other solutions - although in fact the first solution often proves to be the right one.