While the older generation is content to sit around and critique culture, that culture is moving beyond them. At some point the traditional church and all of the expressions of that church will become essentially irrelevant.

Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.

I think everything we do, on one level or another, as writers, most of our writing is informed by our world view.

Like all of my fictions, 'Sinner' is a mirror. Look into it and you will find yourself. What you do with what you see is your choice.

When I sit down to write a novel, I am exploring my own relationship with God, with the struggle between good and evil, my own purpose.

Writing wasn't about making money. I wanted to find fulfillment in writing and telling stories, and that's what's driven me.

All my books are very spiritual. I started out writing what was most natural to me, many years ago, which is religious, because I grew up in the jungle, the son of missionaries. I want to know, is God real? What's a priest's role?

For me, writing is an experience. It's an exercise in which I want to discover myself by taking my characters to the edges of human experience, to the edges of themselves and then, asking certain questions - about love, what does it mean to love? What's beauty? What is true beauty?

For me, writing is an experience. It's an exercise in which I want to discover myself by taking my characters to the edges of human experience, to the edges of themselves and then, asking certain questions - about love, what does it mean to love? What's beauty? What is true beauty? What does it mean to be insane - crazy?

I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.

I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.

I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.

I think everything we do, on one level or another, as writers, most of our writing is informed by our world view. It's informed by our own understanding of spirituality; things that matter, things that are important to us. I write about things that matter for me.

If readers, young and old, would take even a moment to reflect on our rapidly shifting culture and ideology, I would be happy. Many leaders of the older generation dismiss emerging culture. Those leaders are at risk of becoming a feeble voice-piece without followers. Most of the younger generation is going deaf to the truth.

If you could find a way to peel back the skin of this world so to speak, would you really see this supernatural reality that is greater? Is it true that we fight not against flesh and blood but against principalities and powers? Every young person wants to know.

It is critical that writers who embrace the light of Christ's redemptive love characterize the darkness arrayed against us in a way that is consistent with its true nature.

It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.

Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.

My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.

My idea for 'BoneMan's Daughters' came from the loss of my own daughter when she left home to live with a monster at age 18. I wanted to throttle the man, but she was in love, so all I could do was hope, pray and cry.