Don't ignore the past, but deal with it, on your own pace. Once you deal with it, you are free of it; and you are free to embrace your life and be a happy loving person because if you don't, the past will come back to haunt and keep coming back to haunt you.

Sometimes in the black culture, being raised as an independent woman is misconstrued as someone who doesn't need a man. I think that's wrong. I think we all need someone.

Everybody goes through obstacles and problems and issues and turn their backs on people that we are fond of and love just because we hurt; and everybody goes through that.

I don't care if you are religious or not and I think the message is that at the end of the day, everybody has to mature and everybody has to heal and mend their own injuries, emotional injuries, on their own pace.

I had to study acting to basically educate myself.

I just didn't know who was going to be my partner. I knew that once I had grown to be a man that I was going to attract the person that I deserved to be with, or deserved to be with me.

I love the fact that we, as black people, carry our faith with us. We share it and embrace it and love it and talk about it because we talk about everything else and why not that and that was the first impression that I had that really touched me.

There was a certain point in my life where I had to decide that I was going to take my future and Nicole's and not wallow in what happened to me because when you do that, you just keep repeating what's been happening and at some point you have to make a choice.

We're very open and outspoken about our faith and our beliefs. We also talk about our doubts, our moments of insecurities. We talk about it all day, how we're inspired by God. We recognize little miracles every day, and that's how we're raising our daughter.

As part of my relationship with my wife and my daughter, and we share everything and talk about everything.

Gospel artists are messengers; they are vessels of a message.

I know I can act and it doesn't matter where you come from.

I'm in the booth and first of all, I'm from Germany and I had never heard a gospel in my life.

Secular artists see themselves with performance; they are more self involved, presentational.

The whole time I was modeling, I had a place in Paris, and a place in New York, and I was really single.

Yet I wanted to have children, and I knew that was my purpose, but I wasn't going to settle.

Yet, that's what studios do. If one thing works, they'll keep doing it till it runs its course and people aren't interested anymore.

I knew immediately that she was going to be in my life forever. I didn't know in what capacity, but I knew that I had found someone who was going to be close to me for a long time. We became great friends fast.

I was looking to show people I could act. I was looking for something that would take me away from the whole hunk riding off into the sunset thing that people wanted me to play after Brown Sugar.

I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.