We want to create these dramatic situations, whether they are real or not, to entertain audiences.

Well, I don't look back and celebrate. I just always worry about the next one.

What I do is try to stay away from the hot subjects.

Yeah sure, I'd love to have all my movies on DVD.

And usually the studios they don't want you to have credit for your movies because they want to take credit for the movies because if you get credit for your movies they've got to pay you more.

I still that that movie-goers like the experience of leaving their homes and going to have a communal experience, especially in comedies or interactive things where you can get an audience reaction to.

The director's who want to be innovative use the DVD as a tool to see what people have done in the past and you have other people who will actually take from better directors and that makes them better directors.

I mean if you put all of your eggs in one basket, boy, and that thing blows up you've got a real problem.

I don't make movies because I think audiences will want to go see them.

I love taking you inside a world that you're not apart of and showing how actually works.

A lot of it had to do with when it's released and what's out in the marketplace, what's its competition.

Although, I think you look back and you try to learn from your mistakes.

Because you can't do anything halfway, you've got to go all the way in anything you do.

But once we got them on its feet then they run themselves, unless there's corrections you have to make.

Definitely, it's a fear of failure that drives me.

Dramatics are what keep you in the seats.

I just don't know what makes a movie catch on and other ones don't.

I like to make pictures about people who make a difference.

I love entertaining people and this is entertainment.

I make movies based on gut.