When I tested for Billy Budd, I had that kind of confidence that comes with the certainty that you're not going to get something. I was very rough around the edges.

With Fellini, the fear dropped out of my work because it was such a happy experience... hanging out with Fellini, having pasta on the set with Fellini, and going out with Fellini!

In my youth I dreamed of being an illustrator.

A lot of newspapers say, Terence Stamp is playing himself and we're as bored as he is.

A lot of young directors, they're not confident; they're not open to the emotional level of the scene.

As a boy I believed I could make myself invisible. I'm not sure that I ever could, but I certainly had the ability to pass unnoticed.

A lot of people only see me as villains.

All actors are incredibly insecure.

Although you have some films that are a real bummer, there's always a film that comes up where it's just heaven.

At this point, it's either for fun or it's for money. I don't take movies that I don't really like.

He's Soderbergh, we're working for him. It doesn't matter what he's doing; we'll see it at the premiere.

I have always had this energy, which I think of as overdrive.

I have to be stretched in some way. There's not enough things that come my way that I fancy.

I was very disappointed that so much of the work I did on The Haunted Mansion didn't arrive in the final cut.

I wasn't at all sure I could make that sort of leap into that sort of comic book reality.

I've been doing Tai Chi on and off for 20 years. The fundamentals of all martial arts are the same.

I've never wanted to become a politician, an interior decorator, I've never wanted to speculate and make a load of money. I just wanted this.

It's such a performance to bring stuff into America. It's a great luxury when I am in England.

My favorite film is Gene Tierney and Tyrone Power in The Razor's Edge.

My star was kind of fading towards the end of the '60s and suddenly I got this call from Fellini, who just appeared to kind of love me!