The kind of people that love 'The Rocketeer' are the kind of people that love good storytelling and innocence and a better world, so to speak, so they're almost always nice people to bump into.

There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.

Vancouver is one of my favorite places on earth. It's gray and rainy there a lot of the time, but for some reason, even though it's gray and rainy, I feel like it's a sunny day.

The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.

Aside from what it teaches you, there is simply the indescribable degree of peace that can be achieved on a sailing vessel at sea. I guess a combination of hard work and the seemingly infinite expanse of the sea - the profound solitude - that does it for me.

I think it would be lovely to see some features on a disc of 'The Rocketeer,' with some reminiscing. I think that would be dynamite.

I would make a horrible politician, because I wouldn't enjoy my work.

I'm not a big fan of CGI. I'm not a fan at all, unless they use it in a way that doesn't call attention to itself.

The only thing better than going to Pitcairn in the first place, is going again.

The South Downs of England reminded me a bit of my Old Virginia homeland.

To me, the AMC brand is great storytelling - they call it slow-burn storytelling.

When I first came to Hollywood, I used to dream of doing films and escaping television.

A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.

I almost always do things that I like, in some form or fashion. Every once in awhile that means that I don't think the script is any good and I don't have any trust in the people, but the film is shooting in Sri Lanka, or somewhere like that, so I'm going.

I can't say that I haven't done some bad acting in my time. I have. Usually that involves what we actors call 'indicating,' when you twirl your mustache.

I don't have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.

I grew up 60 minutes way from Richmond, in Charlottesville, Virginia and, as a child, I was obsessed with the Civil War. I used to do re-enactments and all that stuff.

I sailed a bit as a child, but it wasn't until I was around 40, when I was halfway through Patrick O'Brian's 'Master and Commander' novels, that I had the sudden epiphany that I had to go sail on a square-rig ship.

I shampoo only once a week or so, with tree tea oil shampoo. And when I slap moisturizer on my face - just some stuff I bought in the grocery store - I pile it through my hair.

I tend to get comfortable with the dialogue and find out who the person is in the script and try to hit that. People are sort of independent of their occupations and their pastimes. You don't play a politician or a fireman or a cowboy - you just play a person.