Classical Training Quotes

I've always said that I count myself as a classical crossover artist. To be so, you have to have the core classical training, which I did for many, many years, but also be interested in the pop side of things. You can fit in somewhere in the middle. I feel I do that really well.

I think any classical training in the theatre is of enormous value.

I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.

Wherever and whenever I sing, if there is only one spiritual on a program, people will talk about two things afterward, and one of them will be the spiritual. What I bring to this is the best of my classical training - not all of it. I apply what is appropriate.

It's like any great medicine that works. It tastes absolutely lousy going down, but ultimately helps and heals you. And that's what Juilliard was. Juilliard is classical training. They don't really want to focus on what you do well - that's what got you into the school. They're training you to do other stuff well, which may not come easily to you.