I normally go with the flow.

I try and be truthful.

I want to try and be instinctive as a writer and director.

I was 18 when I got my first TV job.

I was a freestyle dancer; I wasn't trained.

I was never that comfortable in front of the camera, it always terrified me.

I wonder whether my bleak-o-meter is set differently from other people's.

I work best when there is adversity: I seem to get calmer the more the fur is flying.

I'm fascinated with what an audience will take away from an image.

I'm much happier behind the camera.

I've got no education.

I've not used a score in any of my films so far.

Obviously when you cast someone who hasn't acted before it can be a massive opportunity for them.

Once I've finished a film I just want to get on and make another one.

People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.

Sometimes when you're going fast, your instincts can be very useful.

Usually, I make such small-budget films that I can't afford to buy weather.

We're all quite vulnerable human beings really.

You learn on every film so much.

I definitely feel sorry more people don't get to see my films. They aren't inaccessible, and if people got the chance to see them, I know they'd like them.