Architecture will always express the technical and social progress of the country in which it is carried out. If we wish to give it the human content that it lacks, we must participate in the political struggle.

Curves are the essence of my work because they are the essence of Brazil, pure and simple.

I search for surprise in my architecture. A work of art should cause the emotion of newness.

It was the drawing that led me to architecture, the search for light and astonishing forms.

Architecture is invention.

For me beauty is valued more than anything - the beauty that is manifest in a curved line or in an act of creativity.

Form follows beauty.

Humanity needs dreams to be able to survive the miseries of daily existence, even if only for an instant.

I am a Brazilian before I am an architect. I cannot separate the two.

I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.

I like talking to priests, to Catholics. Everyone has their beliefs.

I pick up my pen. It flows. A building appears. There it is. There is nothing more to say.

I think of myself as no more than 60. What I could do at 60, I can still do now.

My work is not about 'form follows function,' but 'form follows beauty' or, even better, 'form follows feminine.'

Right angles don't attract me. Nor straight, hard and inflexible lines created by man.

Surprise is key in all art.

The artistic capability of reinforced concrete is so fantastic - that is the way to go.

The challenge of a cathedral is very good for architectural inventiveness.

There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.

When students leave college, they are like children who know nothing about the problems of life, and don't have a political stance.