Yes, but personally I was never a big acid head.

Zippy accepts chaos as what it is, which is the real order of everything.

Zippy is living in the moment.

But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.

I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.

She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.

What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.

A full, rich drawing style is a drawback.

All life is a blur of Republicans and meat.

Are we having fun yet?

Comics is a language. It's a language most people understand intuitively.

Everybody that loves Nancy loves it in a slightly condescending way. Nancy is comics reduced to their most elemental level.

Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.

Frivolity is a stern taskmaster.

I always thought of Levittown as a joke.

I guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.

I had a mixture, my father was a career army man and my mother was a writer.

I had a very diametrically opposite set of parents.

I hate Calvin and Hobbes. I think its a big re-hash of formula kid strips.

I just became one with my browser software.