If you cannot be a poet, be the poem.

Why would you be afraid of death? It would be an inconvenience. I have a lot of undone things and it's bound to get in the way. But, no, it doesn't scare me at all.

My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.

You know, I've never actually really believed that death is inevitable. I just think it's a rumor.

Because you know how you say I've got to really get down and really do some training and then of course, you never do or you do it for a couple of weeks and slough it back off again but I'm being forced to do something that I really want to do and I loved it.

Quentin wanted to create this special world in which everybody walks around with a samurai sword, extras in the airport, a special little place in the airplane to stick your samurai sword.

'Born to play? Hmmm. Probably Romeo... or Hamlet, I guess. Also, I'd be a great Alexander the Great.

I was involved in a web cartoon of Kung Fu with WB a few years back.

I'm not regretful about dropping acid, but I could have stopped it a little sooner.

There's an alternative. There's always a third way, and it's not a combination of the other two ways. It's a different way.

But, Tarantino has seen all of my movies. He's seen my good stuff, he's seen my bad stuff, he's seen the ones I directed, he's read my autobiography. There's an awful lot of things he knows about me, all of which I think had something to do with his casting.

I don't need to convince anybody that I know kung fu, but maybe somebody needs to know that I really can act, without doing a Chinese accent or a funny walk.

I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster.

I remember when I did the pilot, and I though no network is going to want to do this. How could that happen? A half Chinese guy walking the old west that doesn't fire one gun and never gets on a horse?

I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.

In the second installment, I pretty much dominate the show. Somehow or another, though, I manage to apparently dominate the first show pretty well with just my voice and my hands and a shot of my boots kicking cartridges out of the way.

It was pretty extensive - we worked out 8 hours a day, 5 days a week, for 3 months, which I think is more than anybody in the Olympics. I thought well I don't need this, the girls need it, but it was a gift.

Most actors spend a lot of time training themselves to be an actor. And I kind of didn't do that. I just started doin' it in front of an audience and had to deliver.

Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.

Quentin is very organic; there was no way that he was going to put someone else's hand in there and anyway, my hands are kind of famous. It seemed right.