We belabour, I think, under a very heavy crust of consumerism really.

What was important was trying to create something that families could watch together and enjoy together.

And it's absolutely true that male sexual behaviour and female responses to male demands change a lot when they start communicating - and the levels of the communication that I've seen on the ground in very, very poor areas are so high and I think why don't we have that here?

We need men and women to sit down and talk to each other about sex honestly and openly. That would help us fight Aids so immediately. But our lack of communication is hugely problematic.

Children are the most wonderful audiences. What's struck me most is that that they watch it so silently, until the end when they shriek and shout and clap.

During an election, it's like they're doing my job: they're going around banging the drum for their party and selling their movie. You know, it's the same thing.

I don't mean being famous is a perk, because one knows that it's not necessarily a perk, but there are certain perks to being well-known and respected in one's field. Public perks. Like, I don't know, general friendliness and willingness to please, just to point out two.

I hate the way market forces try to separate us out in to the appropriate demographic - basically in order to sell us things. We need to find stories that we can enjoy together, not separately.

I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.

I have had lots of friends who've been affected by Aids and a very good friend of mine, Oscar Moore, died of Aids and I was with him in his last year quite a bit. And of course he was a man living in a very rich culture with a wealthy family who was able to afford health care.

I think that my work is my attempt, I suppose, is to try and become a piece of connective tissue. I'm trying to communicate with people here and in America - in rich countries - about what I see on the ground in badly affected areas.

I think the point about ActionAid is what it's asking people to do is engage with poor people in developing countries and understand what their lives are like and understand how the way we live our lives impacts on theirs.

I understand what it's like to come with your family, and to uproot yourself and come to another culture. You need a lot of support. People say, 'She's got her daughter; she's got her husband.' Yeah, but she hasn't got anyone else.

I've a problem with the word charity because I think that NGOs, as I prefer calling them, really do take the work of moral and social responsibilities that ought to be taken on by governments.

If you don't want women to do whatever they need to do then you must provide them with food, you must provide them with shelter and their basic human rights.

If you're actually allowing your creative part to control your writing rather than a more commercial instinct or motive, then you'll find that all sorts of interesting things will bubble up to the surface.

It is remarkable how many misconceptions there are here about life in the developing world and I think that that knowledge gap has done a lot to contribute to the imbalance quite frankly.

It's not my fault that there is this gap between rich and poor, it is the fault of governments. I want a different world. One where I don't wake up thinking I'm so lucky to be able to feed my daughter.

London has always been a haven for victims of cruelty, and been improved by them. Yet I can see it changing now. Outsiders are demonised, there are little bits of legislation, people are scared.

My mother has never approved of high heels. As a result, I have never been able to walk in high heels - and they were all I ever wanted. So of course, my daughter has two pairs.