Inner demons? Got none of them.

It's hard to incorporate dance into movies I think.

Music is pretty therapeutic.

My characters are often without a significant parental figure.

My favourite superhero is obviously Batman because he's the sexiest. But I can't imagine myself as Batman.

New York is full of crazy people, and I like that.

Surfing isn't really in my blood. It's hard to catch a big wave in Billingham.

Tap dancing is all about the feet; you put your head down and don't really engage with anything but the rhythm in your head.

Well, I am obsessive about my work. I throw myself in all the way.

You don't miss what you never had.

Every interview I do, it's basically 'how did he do it,' and I owe it all to my representation, and my manager is basically like my mother, she's so picky.

Everyone is slowly catching on to this one - and I know everyone says this - but we need to make a little more effort with the environment. Everyone says they turn off their lights, but do they really?

I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.

I hate the stereotype of the pitfalls of the child actor. There are so many amazing examples - Natalie Portman, Joseph Gordon-Levitt, Jodie Foster, Drew Barrymore - of people who have made it through.

I lost my mind at 15. I'd been shown a world where there were no boundaries, where everyone gave me all the power. And I was like, 'This is great!' Then that was gone. But I was like, 'Yeah, but I still want that.' I'd lost my humble, very quiet, introverted sensibilities which I think I definitely had as a kid.

I love the old Fred Astaire and Gene Kelly movies; they're so beautiful to look at. It's such a shame we don't make them anymore. Although, I don't know how you could make tap dancing current and topical.

I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.

Indiana Jones is very much an old-world kind of hero. He doesn't really have any kind of superpower or rely on any kind of technology to help him out of things.

We're kind of in a voyeuristic world. We have TV shows that are all about watching people do weird things in houses. People are obsessed with that. There's live coverage of it.

What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.