And if you have great writing, it's really easy, but if it's not so great and you have to work a little harder, I could tell where the work needed to be done but comedy is just fun.

Comedy is just to me, maybe it's a natural knack, if I can see where the joke is in the writing and I can see where the setup is and I can tell this is the way to make it.

'Friends' was an education in intelligent comedic banter; in intelligent vernacular. It was an education in scene study. It was an education in group dynamic. I came out of there with a master's degree in comedy.

Having kids has been great for me. I have two beautiful step- kids, as well as my own new daughter. They've really helped me to keep my feet firmly on the ground, and life is good. I feel like I'm the luckiest guy here.

I really like the half-hour comedy. I really do. I know people that are in movies all the time and they, you know, they don't see their families as much. And that takes its toll over time.

I remember when my daughter, Marina, was born. The second I laid eyes on her, I was in love, and I had never felt that way before. I couldn't believe it.

I'm not in a rush to do anything. And I wouldn't say I pick and choose. When it comes to producers picking people for roles I don't think it's between me and Tom Cruise, do you know what I mean?

I've grown tremendously as an actor by being there. It is comic writing the likes of which I don't know that I'll ever see again and it's been a great, great experience.

In comedy, you have to be unafraid to hang from the tree branch naked in the high wind and you have to be absolutely unafraid to look ridiculous and silly.

People call me Joey all the time. I take it as a compliment. There's no point in correcting them. But I'm much more even-keeled and subdued and relaxed than Joey Tribbiani.

People will speak slowly to me sometimes. And they always ask me if I'm all right, because I'm much more low-key and reserved than my character in 'Friends'.

Still, on 'Friends', we had some guest-stars who were less than spectacular, not the stunt-casting, but just regular guest-stars, and they weren't particularly great actors, but the material was so good that they scored. It's the writing.

The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium.

The way I look at it, everything is a trade. You acquire some money, so then you've got no financial burdens, but everyone wants your money and so who can you trust? Or you've got no money and you can trust anyone, but then you've got the worry to pay bills. Which is worse?

This whole acting thing was always just for me and was always an absolute shot in the dark. If it didn't pan out, I had my hammer and tool belt, banging nails again tomorrow if I had to.

Work to me has become kind of a hobby. I was a part of something that gave me financial independence and the rent is paid. Now it's just about projects that turn me on.

You basically have a group of four spies who are chosen for a mission they feel for the fact of how competent they are and how their expertise and they're the right one for the job. But ultimately they find out they've been actually chosen for their incompetence.

You know, I think British comedy is very smart comedy. You don't get too much dumb comedy over here. Or at least I haven't seen it. If I'm wrong about that, I apologize to all the dumb comedy makers over here.

I keep waiting for the roof to cave in. I was raised to follow the Golden Rule, you know, treat people the way you wish to be treated. That's kind of the way I live my life. Maybe someone up there likes me for that.

The more cynical you become, the better off you'll be.