I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.

My mom would give me a piece to play, but I wouldn't do any theory because when it came time to do it I would sneak back upstairs and watch TV. So, I had these kind of nonchalant lessons for years, then it just started soaking in.

Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.

Writing this record let me recapture who I am. It is summed up in the title Be Not Nobody. You need to feel comfortable in your skin and do whatever you need to do for yourself, to heal or to grow.

If Mozart were around now he would write a killer rock song.

Food can become such a point of anxiety - not because it's food, but just because you have anxiety. That's how eating disorders develop.

I don't put boundaries on myself when I sit at the piano.

And it's sad because it's like a surprise to people - almost an anomaly - when artists are actually refined and trained on an instrument. That's the last thing people think about.

Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.

The women who don't feel that people think they're sexy are the ones who seem to titillate in that way, because they don't feel like they're getting that kind of approval.

Every single note on this album is there for a reason.

I did not stop dancing; I did take two years off to get myself together.

I have gone from being a 21-year-old with wide eyes to a 24-year-old woman. With success comes a lot of responsibility and power.

I work hard and I will always work hard. But I feel very lucky with the way that it has all come together.

My songs are a direct route into my brain and my heart.

Plus, there were so many pianos in my house, so I couldn't really avoid it.

The music industry is so easy compared to the ballet world.

Well, I would say that music just happens with me, I'm not in the driver's seat when I am at the piano, the piano is.

When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s.

A lot of people give in to those pressures and let others influence the process on their second albums because they want to achieve the success they had with their first again, but they don't know how to do it.