Carly Simon's Quotes

I had this terrible stammer, so I couldn't really speak properly until I was 16 or 17.

I just want to show off my scar proudly and not be afraid of it.

I remember being onstage once when I didn't have fear: I got so scared I didn't have fear that it brought on an anxiety attack.

I think that I've got some pretty bad reviews on albums or songs that later proved themselves.

I think that most people really know if it's a really great album.

I try to get to those peculiar and particular things that you never think of to say.

I'm still more comfortable with standards than with my own songs.

My father was a classical pianist, and my mother was a singer of just about everything.

My look was even more solidified when I started singing in Greenwich Village with my sister Lucy. We wore matching dresses as the Simon Sisters.

No, because I was always nervous about being onstage.

No, because I've never really changed my style that much.

So I suppose this slightly mature fashion sense happened because of what I had.

Sometimes, but the year I lived in France I started to write songs.

For me, the big chore is always the same: how to begin a sentence, how to continue it, how to complete it.

There are two Americas - separate, unequal, and no longer even acknowledging each other except on the barest cultural terms. In the one nation, new millionaires are minted every day. In the other, human beings no longer necessary to our economy, to our society, are being devalued and destroyed.

Albert Camus, a great humanist and existentialist voice, pointed out that to commit to a just cause with no hope of success is absurd. But then, he also noted that not committing to a just cause is equally absurd. But only one choice offers the possibility for dignity. And dignity matters. Dignity matters.

A little anger is a good thing if it isn't on your own behalf, if it's for others deserving of your anger, your empathy.

It's been said that no man is a hero to a newspaperman, and I spent too many years as an ink-stained wretch.

On a practical level I'm a TV producer and storyteller who's gone about as long as you can go without achieving a mass audience.

There are a couple of ideas for features that I would love to do. They happen to be comedies.

To be told you've won a MacArthur fellowship is very flattering and gratifying personally.

What writer wants to make compromises with story? Story is the only reason you're in it.

While I think storytelling is a meaningful way to spend your life... it does feel a little bit secondary or off-point.

I had a great editor, Rebecca Corbett, from the time I was a city reporter right through to the years I worked on the 'Sun's' enterprise reporting team.

I would be lying if I said the journalism doesn't reflect my own choices as a reporter and a writer: what to say, what to emphasize, how to say it, what is true or untrue.

It seems that in Baltimore, one of the most violent cities in America, jurors are far more reluctant to convict criminal defendants than in the suburban enclaves that ring the city.

One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.

The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.

The why is what makes journalism an adult game. The why is what makes policy coherent and useful. The why is what transforms bureaucrats and foot soldiers and political leaders into viable instruments of rational and affirmative change. The why is everything and without it, the very suggestion of human progress becomes a cosmic joke.

There came this point where I sat down with all my notebooks and I had to start to write, when I thought: this whole notion of writing for the person who understands nothing, the average reader... He has to die! I can't have him in my head. And so the person I started writing for was the homicide detective.