If I like a song, I'll just keep playing it, and it never gets old.

If you look at anything, there are always comedic moments.

If you're a single man and you happen to be in this business, you're deemed a player. But I don't see myself as a ladies' man.

Life's complicated and people do things for a lot of reasons.

My hair has been mocked a lot.

My mother emails me stuff about when she finds a paparazzi photo and they're like, his hair is out of control.

My parents have been together since 1963, so that's something.

Personally, I've made myself a very small window of what I enjoy in this business, which is I love being a big part of the storytelling process.

Some directors have just one way of working; you either have to adhere to it or you don't.

There are certain actors you watch in a movie, and you think, 'Wow, that guy is very skilled.'

Unfortunately, when someone asks me for a favor, I can't say no. Because of my upbringing - my Catholic guilt - if I don't do it, it plagues me.

When I was a kid, I was always mistaken for a girl.

I liked sports but I never really had the confidence. I was always coordinated and it came easy to me, but I didn't have the confidence to go along with the physical skill.

I seriously love to cook... My grandmother was an amazing cook. As a kid I used to help her make handmade pasta, Cavatelli and Ravioli. It was one of my favorite things to do. I love the idea of making whatever is in the fridge into something.

I think that episode in the third season was great. I'm really glad that we did that. He got to sleep with Sydney and kill Evil Francie and go on a mission and pretend he's a rock star.

If you look at anybody who's had along career, if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.

It's beyond my control who's going to cast me or how you're going to pigeonholed, so for me, it's just I want to keep doing different things because I want to get better, so hopefully I'll be hired to do them.

There's got to be something you want to tell and that's the engine which spurs all of the work you have to do in order to create the story, but you have to love some sort of nugget of what you're telling to be a filmmaker.

I think if you live in a black-and-white world, you're gonna suffer a lot. I used to be like that. But I don't believe that anymore.

You can tell if someone's into you. You can feel the chemistry.