I take little bits and pieces of ideas that I may or may not believe in but I give them to this character and he runs with them. I have fun with however he handles the situation.

In pre-school, I was drawing dinosaurs - I was huge into dinosaurs. I wanted to be a paleontologist, not a cartoonist or a filmmaker or anything like that - just a paleontologist. So I would draw dinosaurs.

It's very strange to go from being completely secluded and doing your own work for yourself, to having an audience - and having an audience that's aware of what you do and expects you to do things that they like. It can make things difficult.

Retro looking stuff but a lot of these guys doing these shows are my age or younger. I was just disgusted. I hated being around that kind of thing. Not that it affected what I did because when it comes down to it I was doing my own show.

When I'm writing the book I'm laughing at just how overblown the characters seemed. How full of himself he seems. But I didn't get far enough in the series to really drive the joke of it home.

I'm definitely incredibly attracted to the aesthetic of what is typically deemed goth stuff, but. A lot of my experience growing up was in being around that kind of thing, and it's just what sinks into a person's brain.

I don't want little kids reading my comics.

I think there is something a little too self conscious about enjoying being an outsider.

It's sort of what the Johnny and Devi stories are about, the idea of always being a slave to something.

Why does this person who is sitting behind a desk and never watches cartoons is arguing about what cartoons should be like. Its so creepy realizing that this person is a lunatic.

All the power to them but I'm not interested in making yet another show that looks like some other show.

At this very moment I'm behind on a compilation that Slave Labor is doing for Free Comic Book Day.

But now I have a lot of little kids who watched Invader Zim whenever they could find it on television.

I don't go to things because I want to see violence, I go to things because I want to see them handled well.

I don't like it when people dress up like Zim, because they look like Hulks.

I'm just doing little bits and pieces for other magazines right now.

In certain ways it is incredibly damaging considering the stuff I did before certainly wasn't for kids.

It's cool that people like what I do, but I don't work for the audience.

After doing Johnny I wanted to just do something, I wouldn't say innocent, but to not have any care in the world. Lots of setups and horrible happenings but its funny.

As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.