You sit there waiting for the RED LIGHT to go on. You could be sitting there for five minutes, waiting, while the producer talks to the engineer. Then the light goes on you know that you mustn't make a mistake for at least 4 minutes.

I am a very lucky man. I am living my life with my hobby as my profession.

It gives the listener a good workout, to listen to the music, the same as it does us to play it.

A musician can get lost to what he is in the session busines as it was.

Also I played on a lot of demos in the early days of the Stones.

I did loads of sessions with Andrew Oldham.

I didn't even recall being on the DB sessions until Herbie Flowers reminded me a couple of years ago.

I hope to soon be in contact with the man who is searching for Noah's ark.

I like to work with artists who are as wide in their musical taste as I am.

I met a congressman who claimed that he could introduce me to two people who saw Amelia Earhart.

I never had a Christmass at home for about 10 years.

I never liked making albums.

I remember a couple of instrumental albums, just don't ask the names.

I used to get nervous so I took up Yoga to help me calm down.

It is hard for 2 creative people to work together for that length of time and not fall out.

Just recently I worked with Van Morrison and I came to realize that money can't make a decent human being out of you.

Lots of people think it was Jimmy Page who had the first fuzzbox. It wasn't, No! it wasn't me either.

Talk radio doesn't need to be political.

The best 45 years of my life were the 5 years I spent with Ton Jones.

They are part of lots of sessions that makeup a hazy part of my session life.