There are many movies that have done it very badly. The studios have gone for quick profits and audiences are feeling angry. People aren't taking the time and spending the money to do it right. I am.

There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.

We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a paying audience.

Fast cars are my only vice.

I allow a lot of room for improvisation and funny stuff. I always feel planned.

A lot of directors don't want the pressure of a movie the size of Pearl Harbor. But I love it. I thrive on it.

It's great that I get accused of not being politically correct. People need to take themselves less seriously. This world is so screwed up as it is, we've all got to relax a bit more.

I go out there to win. People don't care if you die in this business. The only way I get back is with success.

I'm at that point in my life where I definitely want to get married soon. I've got my dogs as surrogates, but I'm ready for kids.

I can be very reserved about things. My business side isn't shy. I can be like a general. But I've got a shy side. I'm also a lot deeper than people think, and a lot more sensitive. But I don't let people in too much.'

What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top.

Directing is not a job. It's more like a career. Which is great!

Everybody knows about Pearl Harbor. The thing that really fascinated me is that through this tragedy there was this amazing American heroism.

I look at directing as a sporting event. It's a race, a marathon. It's great when it clicks, which is why I push my crews so hard so we can excel.

I make movies for teenage boys. Oh dear, what a crime.

I make movies that audiences like, that I'd want to see. That's all.

I'm done with effects movies for now. When you do a movie like 'Transformers,' it can feel like you're doing three movies at once - which is tiring.

I'm one of the few directors that actually shoots a lot in camera.

It is really cool to have created a movie that has turned out to become the biggest movie of the year.

Maybe I have just a younger voice than many other directors.