Performing a one-man Macbeth feels like the greatest challenge.

So the experts think we could have an AIDS-free generation in Africa by 2015, even if the mothers are positive.

Sometimes people get really sniffy about the films you choose if you've done more dramatic projects or you're classically trained.

There are some days when you don't feel like being Alan Cumming.

When there's an adult person who's scaring you, you grow up pretty quickly.

With 'Urban Secrets,' I just really liked the idea of wandering around chatting to people.

You'll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.

For example, Americans seem reluctant to take on Shakespeare because you don't think you're very good at it - which is rubbish. You're missing out here.

I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I'm choosing my homeland. It's funny: when you get older these things creep up to you.

I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.

I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.

I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.

I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.

'Macbeth' was the first play I ever read. In fact, I remember my brother Tom, who is six years older than me, coming home from school and telling me about it. He was the one that really got me going.

My feeling about work is it's much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.

Nowadays people don't know how to handle it if all the ends aren't tied up and they're not told what to think in films. And if they're challenged, they think it's something wrong with the film.

Sometimes with people I know, they're playing the hunky action guy and there's resistance to them coming out because it's so connected to straight masculinity. There's a plastic kind of movie star who has a very short shelf with very small kind of ambition. I see that but I still don't agree with it.

The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.

When you're on TV, you come into people's homes. In theater and film, they go to you - to the temple of the cinema or theater. And it's very different.

You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone's tired, things get on top of them.