You can change a person's life in an instant; put him in a movie, and you start thinking differently, you want to be in another movie. It's like an addiction almost.

I love England and the historical aspect of it.

As far as carrying the American banner, you just do what's right for the kids.

I don't like to be talked into anything. I don't want to be cajoled.

I have a home in Arizona. I go a couple months a year, but basically Chicago is my home.

I think all actors are supposed to be character actors.

Do whatever you're directed to do, and leave the rest of that technical stuff up to the director.

I don't know if I have a technique. I'm just trying to remember the words.

I learned a long time ago: You're in the entertainment business. You're not in the reality business. One has absolutely nothing to do with the other.

I think first impressions are important when you pick up a script.

I've tried writing. Two days later I'd go visit it and say, Jesus Christ, who wrote this crap?

The British have slang words, as we do, but it was fun.

The cast was huge, but I never saw anybody.

There's a whole catalogue of actors that never went to acting school.

This generation of filmmakers is very good. They're seasoned, for some reason.

Vince or Brad or Benicio would say, Maybe we should try this, and Guy was open to changes.

What you do as a policeman might be the right thing to do, but it's not entertaining. I left that behind me.

You can't act for the editing. You just go in and do the scene the way you think is right.

I know people who go back and check themselves, but it drives me crazy. Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case.

I read the script and try not to bring anything personal into it. I make notes, talk to the director and we decide what kinds of shades should be in the character.