There are lots of things I like about playing in a band, the things I can't do by myself you know.

There's always that argument to make - that you're in better company historically if people don't understand what you're doing.

I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.

It was kind of ridiculous to carry it up to a certain point and then drop the ball or the bomb, like quitting the band right after we had signed to Virgin.

If you play acoustic guitar you're the depressed, sensitive guy.

Well, I try not to think about the general public since I have no idea what the general public is and I don't think anybody does.

I can't think of anything off the top of my head that seems more important than something designed to raise money to keep something going that keeps IV drug users from dying.

I wondered if I would talk about drug use. But I guess, why hide it?

I'm just writing songs about how I feel or about how people I know feel.

It's a lot easier to tell the truth usually.

I just wanted to move out of Portland to do something.

I watched myself put my paw in the bear trap on that one because there was this clause about leaving members.

I mean people just have a way of - y'know they'll review your record in two sentences and put you in this little stupid box that you don't want to be in.

And I'm not trying to write heavy songs.

Because God only knows why people like what they like and don't like something else.

But I was also doing odd jobs around Portland, like spreading gravel and transplanting bamboo trees.

I actually don't think that I'm gonna sell a lot of records.

I didn't have a hard time making it, I had a hard time letting it go.

I didn't know how many people knew who Ferdinand was.

I didn't think I was gonna be playing on the Oscars or anything.